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Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a wise freshening with a classic tale, but because it allows for thus much more outside of the Austen-issued drama.
To anyone common with Shinji Ikami’s tortured psyche, however — his daddy issues and severe uncertainties of self-worth, not forgetting the depressive anguish that compelled Shinji’s precise creator to revisit The child’s ultimate choice — Anno’s “The tip of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-display meditation within the upside of suffering. It’s a self-portrait of an artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails.
Yang’s typically fastened nonetheless unfussy gaze watches the events unfold across the backdrop of nineteen fifties and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial legislation as well as shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of one of its dead leaders — feel nationwide in scale.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost inside the forest. Our disbelief was correctly suppressed by a DYI aesthetic that interspersed lower-quality video with 16mm testimonials, each giving validity to the nonfiction concept in their individual way.
The emotions associated with the passage of time is a large thing for that director, and with this film he was able to do in one night what he does with the sprawling temporal canvas of “Boyhood” or “Before” trilogy, as he captures many feelings at once: what it means being a freshman kissing a cool older girl given that the Sunlight rises, the feeling of being a senior staring at the conclusion of the party, and why the end of one main life stage can feel so aimless and Unusual. —CO
Duqenne’s fiercely established performance drives every body, since the restless young Rosetta takes on challenges that no person — Enable alone a baby — should ever have to face, such as securing her next meal or making sure that she and her mother have working porn pics water. Eventually, her learned mistrust of other people leads her to betray the 1 friend she has in order to steal his job. While there’s still the faintest light of humanity left in Rosetta, much of it's got been ravishing chick sophia castello bends over for rear fuck pounded outside of her; the film opens as she’s being fired from a factory task from which she should be dragged out kicking and screaming, and it ends with her in much the same state.
Seen today, steeped in nostalgia for that freedoms of the pre-handover Hong Kong, “Chungking Express” still feels new. The film’s lasting power is especially impressive from the face of such a fast-paced world; a world in which nothing could be more precious than a concrete curvaceous babe face sitting her thick ass on pliant guy offer from someone willing to share the same future with you — even if that offer is published over a napkin. —DE
That’s not to say that “Fire Walk with Me” is interchangeable with the show. Managing over two hours, the movie’s mood is much grimmer, scarier and — within an unsettling way — sexier than Lynch’s foray into broadcast television.
1 night, the good Dr. Bill Harford would be the same toothy and confident Tom Cruise who’d become the face of Hollywood itself from the ’90s. The next, he’s fighting back flop sweat as he gets lost in the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers as well as sinister ultra-rich they serve (masters of your universe who’ve fetishized their role within our plutocracy on the point where they can’t even throw a straightforward orgy without turning it into a semi-ridiculous “Rest No More,” or get themselves off without putting the anxiety of God into an uninvited guest).
The dark has never been darker than it is actually in “Lost Highway.” In actual fact, “inky” isn’t a strong enough descriptor for that starless desert nights porn hup and shadowy corners humming with staticky menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is often a “ghastly” black. An “antimatter” black. A black where monsters live.
But Makhmalbaf’s storytelling praxis is so patient and full of temerity that the film outgrows its verité-style portrait and becomes something mythopoetic. Like the allegory of the cave in Plato’s “Republic,” “The Apple” is ultimately an epistemological tale — a timeless parable that distills the wonders of the liberated life. —NW
The ’90s began with a revolt against the kind of bland Hollywood product that people might destroy to view in theaters today, creaking open a small window of time in which a more commercially feasible American unbiased cinema began seeping into mainstream fare. Young and exciting directors, many of whom at the moment are key auteurs and perennial IndieWire favorites, were given the assets to make multiple films — some of them on massive scales.
is full of beautiful shots, powerful performances, and sizzling intercourse scenes set in Korea during the first desi 49 half on the twentieth century.
The film boasts one of the most enigmatic titles of the decade, the Bizarre, sonorous juxtaposition of those two words almost always presented from the original French. It could be go through as “beautiful work” in English — but the concept of describing work as “beautiful” is somehow dismissive, as When the legionnaires’ highly choreographed routines and domestic tasks are more of the performance than part of an advanced military method.